Tag: Off Broadway

Beetlejuice, Beetlejuice, Beetlejuice

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Seeing the pre-Broadway tryout of Beetlejuice The Musical at the National Theatre in Washington, DC on Friday night was an exciting and fun experience. I remember watching the movie over and over with my brother and the musical brought to life specific scenes and characters from the movie in an inventive and hilarious way.  Of course, the musical’s (same as the movie’s) closing number had me dancing in my seat!

The vocal style in this show is without question contemporary musical theatre with pop and rock influences. There’s the boy band number, the Hamilton-esque rap duet, the teen pop ballad, and the hard rock character pieces. Vocally, we can hear the singers implementing the growl, the rock scream, the really high mix/forward placed sound, the low, soulful tone, and the nasal character voice. While these are all different, it is possible for one singer to produce a multitude of sounds and styles even within one two hour show. Things that can help singers in this feat are having a flexible soft palate, a good breath support system, and a general understanding of how your individual voice feels and resonates on your body.

I’m certain that the teen girl singers in my studio will be clamoring to learn Lydia’s music (and I might encourage them to also look at the Girl Scout’s number that opens Act II). If you’re thinking of attending an EPA for the Broadway production of Beetlejuice, either look for a pop/rock song that encompasses character (for Lydia, I might recommend a high mix Avril Lavigne or Pink or Alanis Morrisette) or a contemporary musical song with this sound (Off-Broadway and not as widely popular as Heathers preferred).

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