I took my two year old twins to see Arts of the Horizon’s production of Nutt & Bolt last week. I had the opportunity to watch two artists tell an awesome story about working together without using any words. My two young boys that are usually running around like crazy actually sat still and were mesmerized by the thirty-minute show.
These two actors were communicating solely using their voice, simple instruments, and their bodies. This is important to my voice students because I am constantly talking about inflection in my studio and how we not only need to understand the meaning of the lyrics, but also the intent behind those lyrics. How can we vocally communicate frustration or excitement or timidity? When Nutt was upset at Bolt, we knew this from the tone of his voice (he may have sighed or grumbled) as well as from his body language and facial expression, two things that are also vital to my musical theatre singers.
An exercise for my readers: Pick your favorite song and tell the story without using any of the lyrics. How can your face, vocal sounds (not words), and body language communicate what is happening in the scene? After that, read through the lyrics as a story and be aware of your vocal inflection in each phrase and what that says about your character.
Arts on the Horizon produces theatre for ages 0 to 6, both in Alexandria, VA & Washington, DC. Check out their website for more information on their upcoming programming.
The fall is here and I have students performing in productions all over town in lead, supporting, and ensemble roles. I’ll be writing about many of these shows over the next month, but have decided to start with a professional staged reading that I saw at Signature Theatre this October.
I am a strong advocate for new musical theatre, learning about new composers, new shows, and new repertoire. As I discover new material, I also develop opinions on these pieces. It may be apparent that a show needs a lot of work (re-writes, cuts, edits) before heading to a larger venue or it may be ready for something more and leave you (the audience member) excited about this new show. I always consider whether a show has something unique to offer our contemporary musical theatre world and whether the storyline is compelling.
On October 22nd, I had the opportunity to see a staged reading of Light Years at Signature Theatre as part of their SigWorks: Musical Theater Lab. Watching a bare space with 6 actors sitting in chairs behind music stands in everyday clothes, I was captivated by these artists that brought this story to life through vocal inflections, pacing, and simply telling the story.
Robbie Schaefer, who wrote the book, music, and lyrics for this show, also performed the role of Older Robbie and played guitar (the main source of accompaniment with some piano). This was a brand-new show to me in every way. I did not know the composer or the story or even the style of music. The score had a folk influence and feel (and if any of my students were auditioning for this show, I would look beyond musical theatre and find a song that is folk or country). It was directed by Eric Schaeffer (a big name in the musical theatre biz) and the music was beautifully and seamlessly connected with the book.
This was my first experience with SigWorks and I can’t wait to see what is next. They are creating art and bringing to life new musical theatre works that need to be seen and heard. Being in this small audience on that Saturday afternoon was a joy and I soaked in every minute. Don’t be afraid to see a show just because you don’t know anything about it! It’s important to support new musical theatre and to be open to these new and exciting works of art.